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If this is your first visit, welcome to my blog of memories and observations. If you wish to be notified of new posts, enter an e-mail address above, and click on "Submit." As we move through a seventh year of this venture, I thank all who have made regular visits, as well as fellow bloggers who have found Stomp Off worth linking to. Doing this sort of thing is time-consuming, but I try to post fresh material at least once a week—let me know what you think. There is a Commentary option at the end of each post and a Guest Book can be reached by scrolling down and clicking on the quill image. I welcome your observations, reaction and/or suggestions in either spot—or both. As for blog content, the most current posts are on the home page, starting at the top. Earlier items are listed by month, year and title in the archive index. To zero in on a particular key word or subject, use the search option that is located directly beneath the blog's masthead. Most images can be enlarged with a mouse click, and there are links to some of my favorite blogs, etc. Since visitors have come from 150 countries, a translator with numerous languages is located below. You can at any time revert to English with a click at the top left of this page:

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6/29/08

Joya Sherrill 1927 - 2010

Joya Sherrill (1963 photo by Chris Albertson)

This evening (tuesday) I made a stop at one of my favorite blogs, Villes Ville, and learned the sad news thatI Joya Sherrill left us on June 28, 2010. You may recall that Joya sang with Duke Ellington's Orchestra off and on between 1942 and 1959. I took this photo of her in 1963, at a summer afternoon lawn party thrown by Jackie Robinson and his wife as a benefit to raise bail money for SNCC. Many performers were there, including Quincy Jones and Billy Taylor, The Dave Brubeck Quartet, and the Ellington Alumni Orchestra, led by Mercer Ellington. It is interesting to note that Villes Ville has a photo by LIFE taken on that same occasion. I was there with William B. Williams and a WNEW crew—we recorded the afternoon's music (big band, and all), but I didn't know what became of the tapes until 2013, when they were located in a "lost" box at the Royal Library in Copenhagen.

Here are two more photos from that afternoon. Willie B was the MC and you'll spot our host behind him.

William B. Williams and Jackie Robinson
(Photo by Chris Albertson)
WNEW disc jockey William B. Williams
(Photo by Chris Albertson)

6/17/08

Thought I would share this....

I went to my kitchen window just now (June 17, 2010) and liked the way this evening's sunset was treating my view. Here you see the Plaza Hotel with  the Chrysler Building on the left and the Empire State Building on the right. The front garden is, of course, Central Park. Click on picture  to enlarge it (and see how unfocused I was).

5/16/08

Glaser and Avakian re Kershaw (Readable size)

Here, in a more readable size, are the four letters that reference the $64,000. Click on images to enlarge them.





4/21/08

My one-night stand at WBAI tonight



If you have followed my posts regarding WBAI, you already know that I once worked there, became the manager, and left to go with the BBC. You will also know that I recently tuned in for the first time in many years and that I find much of what I heard to be cause for alarm. Why? Because WBAI is beginning to sound like other stations, rather than the alternative that Pacifica meant for its stations to be. Having thoroughly surfed the radio dial and found nothing of substance, pacifist Lewis Hill created the Pacifica Foundation shortly after WWII, and started KPFA-FM in Berkeley, California. The concept was unorthodox and simple: No commercials, no unreasonable time restrictions, just a live microphone for free discussions and disparate worlds of thought, a place from which emanated unbridled artistic and political expressions, a radio station unaffected by current trends or ratings. The impossible dream? Of course not...or was it? Today, WBAI is a little bit like a fine vintage of Chateau Mouton-Rothschild into which cherry Kool-Aid is being dripped. Albeit barely so, the wine is still discernible, but its bouquet is gone.

One might say that Bob Fass, who was first heard on WBAI in the early Sixties, is the personification of Lew Hill's concept. By the mid-Sixties, when I became the station manager, he had been fired by my predecessor, but that was a big mistake for Bob was born to be heard on WBAI. No other station would find acceptable his free-flowing ad-lib approach to broadcasting and no other host could come close to making that concept work as well as it has for almost half a century. Yes, Bob survived his firing. He heard my first Report to the Listener and concluded that my idea of broadcasting might differ from that of the former manager. He was right and, thus, reinstated as the station's voice in the night. Back then, we usually signed off at midnight and fired her back up in the morning. It was not the law, nor did it make much sense, so we shelved the Star Spangled Banner tape and became nocturnal.

Things have not gone smoothly for Bob in the past decades. He was arrested and placed on some kind of probation for something silly that displeased a clueless management or board, and he survived at least one coup, but he is still there, still not getting paid a penny for his work and still not appreciated by the ever-changing powers that be. Bob's show, Radio Unnameable, has not changed much except that it is more predictable than it used to be, but we can chalk that up to an era where things are more foreseeable. There was a time when people like Bob Dylan, Lenny Bruce, Arlo Guthrie, and most wanted radicals popped in to do things that only a Pacifica station would allow—sometimes things that only could be done on Bob's show. Actually, that term. "show," doesn't cover it—Bob turned his airtime into events, we used to call them "happenings," and how fitting a term that was!  

I've said enough here. I hope you can tune in tonight, April 22nd, at midnight (New York time) and hear me stumble down memory lane with Bob and whoever might pop in. Well, popping in isn't as easy as it used to be—now one has to produce an ID and get the nod from security, but I have my passport ready.

Whether you are in Times Square, Teaneck, Tacoma, Toledo, Tokyo, Timbuktu or Oz, you can hear Bob's Radio Unnameable at midnight on any Thursday, streaming around the globe at WBAI.org.

Of course you know it sounds best on a Mac!

2/28/08

Somniferous Oscar show



Monday, February 28, 2011

I thought Sunday night's Oscar Awards show was the most boring I have ever seen—and I have watched them for many years. The hosts were awful, he looked like he really didn't want to be there, she...well, what was that dreadful song she did so dreadfully?

The kids from Staten Island were pleasant, but the did not live up to the hype given them on New York stations. It was nice that Randy Newman won, but that song was weak compared to his earlier work, which I still love. Apropos love, there was Lena Horne, but YouTube amateurs could come up with a better tribute than the one they threw in there.

An afterthought—although it should not have been that: I was very pleased to see "Hævnen," a Danish film by Susanne Bier, receive the coveted statue. I have yet to see the film, but its on my list. Many years ago, when I lived in a downtown Copenhagen back house—past the garbage cans, three flights up, and a few blocks from the royal palace, Danish films were mostly ignorable. They had gone from Carl Dreyer's cutting edge (so to speak) "Joan of Arc" (starring Asta Nielsen), in the twilight of the silent era, to reach a nadir with "De Røde Heste" (the red horses) a film that starred—among others—a young actor with whom my mother had a brief fling, but that's all you need to know about that wasted celluloid. I lost interest in Danish films until 1987, when an Oscar went to, "Babette's Feast". It is based on a book by Isak Dinesen and it is as enjoyable today as it was  24 years ago. I get hungry just thinking about it.

Just my 2¢ worth.