Early recounting of jazz history is a weave of truth and conjectures. The music's pioneer chroniclers were unquestionably dedicated to the subject, but they often skipped the tedious task of conducting research, and simply perpetuated whatever sounded interesting to them. One reason for their cavalier approach may well have been the abundance of first-hand accounts available to them. Short of sitting down with Buddy Bolden, there were few stones that couldn't be upturned. Also, bear in mind that one couldn't stick a recording machine into one's pocket, and few writers had mastered shorthand (I only met one, Whitney Balliett). All this to point out that the field was fertile ground for myths.
Forty years ago, when I began work on my Bessie Smith biography, I was determined to bust as many of these myths as I could. Bessie was no singing wallflower or paragon of virtue, but neither was she scandalous by the day's show business standards. Hedonism went with the territory, and she led an active and sometimes outrageous life at home as well as on the road. If Bessie's off-stage adventures seemed a tad wilder than most, it was perhaps because her commanding presence demanded attention and few things she did escaped notice. Still, some writers used their Imagination and came up with such fantasies as her being kidnapped and dumped at Ma Rainey's feet, kicking and screaming her way out of a potato sack, or volunteering as a maid for her bed-ridden record producer, Frank Walker, or forced by Depression economy to take a job as a speakeasy hostess and selling chewing gum and candy in theater aisles. None of this was true, but it made good copy—never mind that even light research would have turned up better stories of exploits that actually did take place.
Forty years ago, when I began work on my Bessie Smith biography, I was determined to bust as many of these myths as I could. Bessie was no singing wallflower or paragon of virtue, but neither was she scandalous by the day's show business standards. Hedonism went with the territory, and she led an active and sometimes outrageous life at home as well as on the road. If Bessie's off-stage adventures seemed a tad wilder than most, it was perhaps because her commanding presence demanded attention and few things she did escaped notice. Still, some writers used their Imagination and came up with such fantasies as her being kidnapped and dumped at Ma Rainey's feet, kicking and screaming her way out of a potato sack, or volunteering as a maid for her bed-ridden record producer, Frank Walker, or forced by Depression economy to take a job as a speakeasy hostess and selling chewing gum and candy in theater aisles. None of this was true, but it made good copy—never mind that even light research would have turned up better stories of exploits that actually did take place.
One Bessie Smith myth was bigger than all the others combined: the story of how she bled to death, the victim of a Southern hospital's racist policy. Initial press reports did not hint of any such occurrence, but there were street whispers, and when they reached John Hammond's ears, he saw in them an opportune irony that could both serve his leftist agenda and sell records. That the tale was riddled with holes did not seem to deter anyone from perpetuating it, not even John, who regarded himself as a member of the press. Had he simply picked up the phone and made a call or two, he could have written a piece that set the record straight, but he chose instead to give the rumor legitimacy in a piece written for the November 1937 issue of Down Beat.
This is when the myth grew legs that would keep it going for three decades, inspire a young Edward Albee to base upon it a one act play, The Death of Bessie Smith, and make Bessie almost as known for the alleged way in which she died as she was for her remarkable artistry.
While John Hammond and others ignored the aforementioned holes in this story, some were justifiably skeptical. They included folklorist John Lomax, who in 1941 wrote a letter of inquiry to Walter Chandler, the Mayor of Memphis. In his response, the mayor correctly pointed out that the accident had not occurred in his city, as alleged by Hammond, but added that the country "is infested by Negro communists who seek to poison their own people against their best friends." If Lomax harbored further doubts about the story's veracity, he does not seem to have done anything about it. However, in 1957, Down Beat's George Hoefer, a jazz journalist of unusual integrity, made an attempt to get at the truth, but his findings were largely ignored—the myth refused to die, even after evidence to the contrary was published.
When I informed John Hammond that Bessie was, in fact, never refused admittance to a white hospital, and played for him the account attached to this post, he appeared to be embarrassed and did not give me an argument. I was therefore surprised to find in his 1977 autobiography, John Hammond on Record, a contrived story of how he was told "a long and convincing story" by "a man who was in a position to know the truth." He added that "there were two other people there nodding agreement as he told it to me." Why had John not told me this when he knew that I was researching Bessie's death? Because, he explained in his book, the man asked not to be quoted. Yes, pigs do fly.
Flo Kennedy, the late attorney, was a good friend of mine, but she stopped speaking to me after the publication of Bessie. A couple of years later, she broke her silence and explained: "I know you wrote the truth about Bessie's death, but you should have left it alone."
It was George Hoefer's 1957 article that sent me on the trail of Dr. Hugh Smith. I knew only that he had been an intern at the Campbell Clinic in Memphis at the time of Bessie's accident and that he had in some way attended to her. "I don't know how far back your personnel records go," I said when I called the clinic in 1971, "but I am trying to locate Dr. Hugh Smith, who was an intern in 1937." The lady on the other end of the phone asked me if I wished to be connected to Dr. Smith. He was still there and had long been the head of the clinic. Sometimes, one call can make a very big difference. Dr. Smith told me that he was tired of reading all these stories about how Bessie bled to death, so he would not give me an interview. However, he recommended that I read the liner notes on Columbia's latest reissue, because that was as close as he had seen anyone get to the facts. When I told him that I wrote the notes, he said that he would be happy to answer my questions and suggested that I mail them to him. He would send me a tape with the answers.
Here is that recording, made public for the first time. It contains more than an account of the accident scene, for Dr. Smith gives a great deal of information regarding the location, terrain, and what the South was like in 1937. Running time is about 42 minutes, but I hope you listen to the entire tape. It even has a surprise ending about which I will say no more.
Dr. Smith on Bessie's accident
http://www.mediafire.com/file/6jd0bnl9wuscj1v/2-01_Bessie%27s_accident.mp3
This is when the myth grew legs that would keep it going for three decades, inspire a young Edward Albee to base upon it a one act play, The Death of Bessie Smith, and make Bessie almost as known for the alleged way in which she died as she was for her remarkable artistry.
Richard Morgan and Bessie pose in front of her old Packard in 1937 |
When I informed John Hammond that Bessie was, in fact, never refused admittance to a white hospital, and played for him the account attached to this post, he appeared to be embarrassed and did not give me an argument. I was therefore surprised to find in his 1977 autobiography, John Hammond on Record, a contrived story of how he was told "a long and convincing story" by "a man who was in a position to know the truth." He added that "there were two other people there nodding agreement as he told it to me." Why had John not told me this when he knew that I was researching Bessie's death? Because, he explained in his book, the man asked not to be quoted. Yes, pigs do fly.
Flo Kennedy, the late attorney, was a good friend of mine, but she stopped speaking to me after the publication of Bessie. A couple of years later, she broke her silence and explained: "I know you wrote the truth about Bessie's death, but you should have left it alone."
Dr. Hugh Smith in the 1960s |
It was George Hoefer's 1957 article that sent me on the trail of Dr. Hugh Smith. I knew only that he had been an intern at the Campbell Clinic in Memphis at the time of Bessie's accident and that he had in some way attended to her. "I don't know how far back your personnel records go," I said when I called the clinic in 1971, "but I am trying to locate Dr. Hugh Smith, who was an intern in 1937." The lady on the other end of the phone asked me if I wished to be connected to Dr. Smith. He was still there and had long been the head of the clinic. Sometimes, one call can make a very big difference. Dr. Smith told me that he was tired of reading all these stories about how Bessie bled to death, so he would not give me an interview. However, he recommended that I read the liner notes on Columbia's latest reissue, because that was as close as he had seen anyone get to the facts. When I told him that I wrote the notes, he said that he would be happy to answer my questions and suggested that I mail them to him. He would send me a tape with the answers.
Here is that recording, made public for the first time. It contains more than an account of the accident scene, for Dr. Smith gives a great deal of information regarding the location, terrain, and what the South was like in 1937. Running time is about 42 minutes, but I hope you listen to the entire tape. It even has a surprise ending about which I will say no more.
Dr. Smith on Bessie's accident
http://www.mediafire.com/file/6jd0bnl9wuscj1v/2-01_Bessie%27s_accident.mp3
Click on image to enlarge |
Bessie's casket leaves the church in Philadelphia for a slow tour through her neighborhood, stopping
briefly at the Standard Theater before heading for Mount Lawn Cemetery in nearby Sharon Hill.
|
Wow! The tape was fascinating, and surprisingly detailed. Doc. Smith was quite an interesting guy. But you are quite correct about the surprise ending... I was bowled over... both by the surprise... and how excellent it was. I hope you guys stayed in touch.
ReplyDeleteThank you so much for getting the right file up online. I'd hate to think I could have missed this.
Hi - I've only recently discovered your blog, but am finding it fascinating. The Bessie Smith items are especially interesting. I read your book on her 30 years ago, and now have to read it again (I've still got it!), but I can see how some of the material might not have found its way into print - especially some of the Ruby tapes! Anyway, I thought I'd let you know that I appreciate your efforts. Thanks you!
ReplyDeleteHello Chris, below a few youtube links from Cécile McLorin Salvant, First Prize Winner of the Thelonious Monk Vocal Jazz Competition, doing a Tribute to Bessie Smith at the Whitley Bay Jazz Festival in July 2010.
ReplyDeleteHaunted House Blues : http://www.youtube.com/watch?v=RIJ9cvM6a3k
Take It Right Back : http://www.youtube.com/watch?v=gbPDIgpHfU0&feature=related
Do Your Duty : http://www.youtube.com/watch?v=aYuWnxvzItY
Also a link to the clip of her rendition of "Take it Richt Back" at the T. Monk Competition (minute 47:49)
http://www.ustream.tv/recorded/9981005
Thank you!
I am late coming here, but thanks for making this amazing recording available -- that truly is a surprise ending! It is quite a remarkable document revealing what ought to be remembered as heroic efforts to save a stranger -- despite her race and class. I am saddened to think Hammond either refused to acknowledge or never made himself aware of the truth. I can't help but think that the real story could have served to awaken people to the humanity that precedes political difference, rather than perpetuate the misunderstandings and distrust that clearly stemmed from the myth.
ReplyDeleteI find myself wondering if he ever sent that second tape. fascinating!
ReplyDeleteHi! I'm just fascinated by your articles of Bessie Smith. Would you please tell me songs by her with gospel influences? I know she only made a couple of songs on that genre("Moan you moaners" and "On revival day"). Do you know any song more like these? Thanx from Spain :D
ReplyDeleteThose two 1930 sides are the only recordings Bessie made that directly reference religion. Frank Walker, her producer at Columbia, was experimenting to give seriously sagging sales a new life. First he had her move slightly beyond double-entendres to more explicit material like "I'm Wild About That Thing" and "You've Got To Give Me Some," and when that didn't work, he brought in the Bessemer Singers and had Bessie make a u-turn. That didn't do it, either. Bessie later came up with her own remedy, a move into the Swing Era, but she died before that intriguing shift could be recorded. That said, I think a bit of church comes through on many of her preserved performances.
ReplyDeleteThank you for visiting and posting.
This comment has been removed by a blog administrator.
DeleteHi! I just listened to the interview and am now reading "Bessie". I am curious to find out more about Dr. Smith. Is he still living?
ReplyDeleteNo, I'm afraid Dr. Smith is long gone, as is the case with almost everyone I interviewed for the book. It just goes to show how important it is to talk to as many pertinent people as possible, and to do that as soon as possible. My book should have been written 20 or 30 years earlier. Better late than never, I guess.
ReplyDeleteThanks for your comment. I hope you enjoy Bessie, and that it is the 2003 expanded version you have.
Hi! I'm from Spain and I'm thinking of buying your book "Bessie". Is the book also available on a version translated in spanish?
ReplyDeleteI have another question. Do you think there's still some unreleased material from Bessie, like new songs, or even videos that had never seen the light?
Thanks for all!
Marcos.
Hi Marcos, thank you for paying my blog a visit. No, I'm afraid Bessie (the book) has not been translated into Spanish. As for unreleased material, I believe that all the alternate takes have now been issued in the complete set on the Frog label. I avoided including them when I produced the Columbia LP set, because they are almost identical to the issued masters, so—not being an obsessed completist—I thought they would only get in the way. As for "videos," there is only the 1929 film, which I think you can find on YouTube. The soundtrack is on Columbia's CD Bessie set.
ReplyDeleteHope you come back and check out the Ruby Walker Smith interviews—there are more of those to come.
Chris
Dear Chris,
ReplyDeleteFirst, congratulations on your Bessie book's induction into the Blues Hall of Fame. I was at the ceremony in Memphis and heard Bob Porter convey your comments.
I have a few items on Bessie from Mississippi that might be of interest to you, knowing that the research never ends! How should I send them to you -- what's your e-mail address? (You can reply to me at bluesoterica@aol.com.)
Best wishes,
Jim O'Neal
Thank you, Jim. Sorry for this much delayed reaction to your comment. Will send an e-mail.
DeleteChris
Lovely interview!!! very refreshing to listen to him talk.
ReplyDeleteYour accounts remind me of my interview I had with Roy Bryant, one of men who were responsible for the killing of Emmitt Till while working on a research paper for college. I didn't realize the importance of what i had till 16 years later. He died two weeks after the interview. Thanks for the details of this subject because I was always fasinated by this story because it happened less than 40miles from where I reside. Again thank you and I will continue to research your blog.
ReplyDeleteMichael
Did Dr. Smith send a second tape?
ReplyDeleteNo second tape, I'm afraid. I recall that we agreed everything had been covered. I did ask him some follow-up questions on the phone, but that was it. Remember, this was never meant for release in audio form. I would undoubtedly have considered that possibility, if the blogging option had existed back then. We didn't even have home computers, so I spent my time two-finger typing on the old IBM Selectric—a great typewriter.
DeleteThanks for the question, and for visiting my blog.
Chris,
ReplyDeleteIs their any new material to possibly debunk the myth revolving around the death of Bessie Smith? I need to get in contact with you as soon as possible.
The myth has been debunked, so there is no reason to look for further proof of that. If you read my book, I think you will understand why that case is closed (except, perhaps, in Edward Albee's mind :))
DeleteHello Mr. Chris Alberston,
DeleteMy name is Jennifer and Bessie Smith is my cousin on my grandmother side. I would like to talk to you in person and get the story on her. I want to know who my cousin was since you had the honor of meeting her. How can I get in touch with you?
Thanks,
Jennifer Smith
Dear Jennifer,
DeleteI was not quite six years of age when Bessie passed away, so I never had the honor of being in her presence. If you read my book (the revised and expanded edition), you will know as much as I do. Thank you for visiting my blog.
So you would be against writing a thesis detailing Bessie Smith's life and death? Thanks for your input. Do you still have my contact information?
ReplyDeleteMichael
Michael,
DeleteHaving already written a lengthy book that details Bessie's life and death, I am not sure what it is you are suggesting I do. Covering the same subject in a thesis would, I believe, be redundant.
If you gave me your contact info, I'm sure it's on one of my hard drives— I would have to search for it.
Is Bessie's Adopted son, Jack Gee Jr. Still living? or will that info be in your book. I always wondered what happened to him and Richard Morgan after Bessie's death.
ReplyDeleteThat information is in my book, the 2003 edition.
DeleteChris,
ReplyDeleteIn regards to a thesis proposal, what area can you cover that is both feasible based on primary and secondary sources, as well as one that makes some original scholarly contributions. In essence, what should be a original thesis to properly address Bessie Smith?
I devoted several decades to my research on Bessie and what isn't covered in the original 1972 edition made it into my extended 2003 edition. I can't imagine what you want me to tell you beyond that. I get the impression that you haven't read the book, but you really should do so before asking me questions.
DeleteI got the book on my nook application and loved it! I really enjoyed it! One thing I liked about Bessie is that she was always herself. The book was interesting, sad and had some funny moments. Good work, Chris! Thank you for getting us very close to knowing this amazing woman. I'm 26 years old and could relate to Bessie alot through her music, even though its not my generation.
DeleteThank you for the kind words, I think your's is the first response I have had from someone who read the book in its digital form. That's great, and something I never imagined when I spent nights and days at my typewriter! I should add that it was an electric one and I wrote the revised edition on my Mac. I still wonder how authors managed to write volumes with a pen, or quill!
DeleteSince I got fibre optic broadband and a new Mac, I can enjoy this FABULOUS blog to an even greater extent than before! Thanks so much for making all this material available.
ReplyDeleteThank you for the compliment, Clive, and congratulations on the new Mac, a great computer. —Chris
DeleteMr. Albertson, i just wanted to say congratulations on the movie! I cant wait! Queen Latifah is a excellent choice in casting.he go. I'm so glad that i finished the book in time. And yes, reading the book on the nook is more convenient because I'm always on the go. Did you ever see the video of Gertrude Saunders singing, " Do My Sweet Daddy Love Me?" I thought it was kind of funny because of the history between her and Bessie.
DeleteThank you. I just learned of this production two days ago (which is odd), but Queen Latifah would have been my choice, too, and HBO quality is high, so I have no complaints in those regards. :)
DeleteThanks for sharing that interview with Dr. Smith. What a detailed memory! As you would expect from a good doctor. What a shame that Hammond's myth virtually buried the truth. Had you not taken the trouble to track him down and get the real story, we would probably still be dealing with the myth today. It makes you wonder what else we think we "know" about the past that is really just myth and legend invented after the fact.
ReplyDeleteWhere did you get the photograph of Richard Morgan? As far as I know, that's not him. He was tall and lean, but light skinned like his mother. I see this photo often on the web, but I've never seen a providence. Can you help me?
ReplyDeleteThat is, indeed, Richard Morgan, according to Ruby Walker—who knew him well—and Richard's Uncle Lionel (Hampton). That's ample provenance for me. He also fits the physical description you give, so I am somewhat puzzled by your doubts.
DeleteWhat happened to Richard and Jack Gee?
ReplyDeleteBoth died. Maud an Ruby told me that Richard blamed himself for the accident. His uncle, Lionel Hampton described his nephew as "a changed man." Jack lived on for many years, often scheming to make money on Bessie's work. Today, a woman who is in her seventies claims to be his daughter and, thus, that Bessie. Was her grandmother. She and a group that surrounds her, pop up wherever they smell money. She apparently got some ou of HBO.
DeleteI cant access the interview :( do you have any suggestions because I would really love to hear it
ReplyDeleteSorry to hear that there still is a problem. I fixed it yesterday and I have just tried it, successfully. Be aware that here is a few seconds of silence at the start.
DeleteWhat I would like to know, Did Bessie illegally adopt Jack Gee Jr. & Did he have any children. How could this 70 yr old woman claim to be the grandchild if illegal adoption wasn't done..furthermore if there is more family members why aren't they contesting it? I would think HBO would have further investigated the relationship before just handing over money .
ReplyDeleteWhen Jack. Gee, Jr. sued Columbia Records for royalties, it turned out that his adoption was not done legally. He was, basically, a gift to Bessie from a former employee. There also was no royalty agreement between Bessie and Columbia. Jack lost the case. He also had a history of trying to get money using Bessie's name.
DeleteHBO called me about a year ago, asking if I knew of Bessie having a granddaughter. I told them that I knew of no living relatives--none had ever contacted me, but a suspicious-looking group showed up at a ceremony when Jazz@Lincoln Center installed Bessie in the Nesuhi Ertegun Hall of Fame a few years back. They were centered around a woman who claimed to be a relative. I spoke to a couple of them, asked a few questions, and was left with the impression that they were opportunists. That woman might be Jack, Jr.'s daughter, but he never mentioned her to me, nor was there any talk of such "family" members in any of the many conversations I had with people who knew Bessie and Jack (Ruby and Maud, for example). These are slick people who put one over on HBO. Perhaps it was easier just to pay them off--their call to me indicates that HBO wasn't wholly convinced. As I have said before, con artists come out of the woodwork whenever they smell easy money. That's a sad fact of life.
I should add that the HBO movie was a travesty. I am usually an admirer of HBO's productions, but they did an appalling job on Bessie. Their big mistake, as I see it, was to hire an amateur writer/director who knows nothing about the era covered and—despite research having turned up a great deal of material—came up with a clueless script.
ReplyDeleteI hope this film is soon forgotten.
Hi Chris I have been trying to listen to the recording for the past two days and it will not play. Any suggestions on where else I can find it?
ReplyDeleteSorry that you were having trouble accessing the audio of Dr. Smith. It should be fixed now—at least temporarily—so please click on the url address that is located just above the image of Bessie's death certificate. If you still encounter problem, please get back to me.
ReplyDeleteCan't thank you enough for your work; the audio file & your book is a remarkable testimony to the truth that too often gets lost in agendas.
ReplyDeleteDear Chris, I have just come across this blog after searching online for info about the life of Bessie. I had no trouble in opening the audio file and found it extremely interesting. I have attempted to find the location of the scene of the accident. I am driving through Mississippi May 2019 and would love to go there an pay my respects. Is there any information available. The best that I have been able to ascertain is the corner of Friars Point Road and Old Hwy 61/E Main St Coahoma. I would love to hear from you. I don't think it is possible for you to be thanked enough for this blog and the work you have done. My name is Laurie and I live in Australia.
ReplyDeleteTruly excellent research. Oral History is so important. Thank you Mr. Albertson for this very important contribution to history. I just received the Bessie Smith 4 CD volume 1 from JSP records for Christmas and will now be looking for your 2003 updated Book on Amazon.
ReplyDeleteThanks again for your contribution !
Thank you for your kind words, I hope there is more here that meets your interest. Sadly, some of the links are dead, killed when the company/service I subscribed to went out of business without notice. Fortunately, I still have the original audio and I am restoring it, slowly but surely. Should you come across and wish to access a link that no longer works, please let me know and I will resurrect it.
DeleteThank you Mr. Albertson. I will indeed. Jazz/Blue circa 1917-1930s is a passion for me. Not that the 1940s was a slouch of course.. LOL.
DeleteBest to you.